My last ever live review for Redbrick… no, you’re crying.
Sat in her dressing room at Birmingham’s O2 Institute, I met to have a chat with Blackpool singer-songwriter Rae Morris. Fresh from a show in Oxford the previous evening, Morris is calm, collected and steaming her voice to make sure she’s on top form. And I’m not surprised; with a new pop-synth sound and a more colourful presence than previously seen from her on new record Someone Out There, I’ve no doubt her stage set-up is just as impressive. ‘I still play piano on a couple of tunes’, she admits, alluding to her debut, Unguarded, ‘But it’s definitely not my only base. I’m mostly at the front of the stage, jumping around, dancing. It’s really invigorating… I kind of give myself more energy by moving around. I come off stage feeling like I’ve done a work out.’
Tom Misch is fast becoming the staple artist on every young 20-something’s Spotify playlists. A multi-instrumentalist working from his bedroom, Misch has since catapulted to glory in recent months, his cult following resulted in a sold out night at Birmingham’s O2 Institute. His fusion of jazz and R&B beats attracted a far more diverse crowd than I anticipated, the room buzzing with excitement waiting for him to grace the stage.
‘How can we not sort these things out in 2018?’ I am sat, phone in hand, chatting to Dan Haggis, drummer of Liverpool indie-rock band The Wombats, about all things music, politics and the power of the internet age.
It is that time of year again, folks. Yes, the festive season means only one thing: Christmas adverts. In particular, the nation waits in anticipation for the unveiling of the new John Lewis advert each and every year, in the past helping artists to achieve number one singles and simultaneously causing the British public to cry into their cups of tea. This year the department store has chosen a Beatles cover for their latest tear-jerking instalment, with Bury boys Elbow taking on the Abbey Road track, ‘Golden Slumbers’.